THE AFRICAN THEATRE BIBLIOGRAPHY
[The African Theatre Bibliography is a project whose time has come. It is a work in progress and the African Theatre Document and Resource Centre is calling on African scholars and researchers to submit their material to the Centre for inclusion in the bibliography.
Bloom, H., King Kong [London, 1961]
Dhlomo, H., The Girl Who Killed to Save, in Visser, N. and Couzens, T., ed. H.I.E. Dhlomo: Collected Works [Ravan, 1985]
Kente, G., How Long [unpublished MS]
Kente, G., Lifa [unpublished MS]
Kente, G., Sikalo [unpublished MS]
Kente, G., Too Late, in Kavanagh, R., South African People’s Plays [London, 1981]
Workshop ’71, Survival, in Kavanagh, R., South African People’s Plays [London, 1981]
Bain, K., and Hauptfleisch, T., ‘Playing the changes: Thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid’, South African Theatre Journal, 15.1 [2001]
Balme, C., ‘The Performance Aesthetics of Township Theatre: frames and codes’, in Davis, G, and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Car, W., ‘Raising the Standards of South Africa’s Urban Natives’, in Optima, 9.4 [1959]
Coplan, D., In Township Tonight: Three Centuries of South African Black City Music and Theatre [Jacana, 2007]
Coray-Dapretto, L., ‘From the People to the People: South African Fringe Theatre’, downloaded from www.unige.ch/math/folks/coray/lorenza/PDF/fringe.pdf
Coray-Dapretto, L., Le Théâtre Communitaire Sud-Africain: Au Rythme de L’Autre [Paris, 1996]
Couzens, T., The New African: a Study of the Life and Work of H.I.E. Dhlomo [Johannesburg, 1985]
Davis, G. and Fuchs, A., ed., Theatre and Change in South Africa [Amsterdam, 1996]
Dhlomo, H., ‘The Nature and Variety of Tribal Drama’, Bantu Studies, 13 [1939]
Doke, C., ‘Games, Plays and Dances of the Khomani Bushmen’, in Bantu Studies, 10 [1936]
Dorkay House in Print [Robert Loder, unpublished presentation volume MS]
Finnegan, R., Oral Literature in Africa [Oxford, 1970]
Freire, P., Pedagogy of the Oppressed [Harmondsworth, 1972]
Fuchs, A., Playing the Market: the Market Theatre Johannesburg 1976-1986 [Chur, 1990]
Gerard, A., Four African Literatures [Berkley, 1971]
Government [Republic of South Africa], ‘Draft National Cultural Policy’, Policy Document [Department of Arts and Culture, 27.2.94], downloaded from http://www.anc.org.za/ show. php?id=269
Government [Republic of South Africa], ‘All Our Legacies, Our Common Future’, White Paper on Arts, Culture and Heritage [Department of Arts, Culture, Science and Technology, 4.6.1996], downloaded from http://ocpa.irmo.hr/resources/docs/ South_Africa_White_Paper_Arts_Culture-en.pdf
Hauptfleisch, T., Theatre and Society in South Africa: Reflections in a Fractured Mirror [Pretoria, 1997]
Hoernle, R., ‘The Bantu Dramatic Society at Johannesburg’, in Africa, 8 [1934]
J.P., ‘African Drama in the Transvaal’, in Journal of the African Music Society, 1.5 [1952]
Kavanagh, M., ‘South Africa’, World Theatre, 7, 3 [1958]
Kavanagh, R, ed., South African People’s Plays [London, 1981]
Kavanagh, R., ‘Art and Revolution in South Africa: the Theatre of Gibson Kente’, in The African Communist 95 (1983)
Kavanagh, R., Theatre and Cultural Struggle in South Africa [London, 1985]
Kavanagh, R., ‘Theatre and the Struggle for National Liberation’, unpublished MS, presented at Culture for an Alternative South Africa [CASA], [Amsterdam, 1987]
Krige, E., Social System of the Zulus [Pietermaritzburg, 1965]
Kunene, D, The Heroic Poetry of the Basotho [Oxford, 1971]
Kunene, M., Emperor Shaka the Great [
Lewis, A. and Steyn, J., ‘A critique of mission education in South Africa according to Bosch’s mission paradigm theory’, inSouth African Journal of Education, 23.2 [2003], downloaded from http://www.ajol.info/index.php/saje/article/viewFile/25121/20608
Larlham, P., Dance and Ritual in South Africa [Ann Arbor, 1985]
Lestrade, G., ‘Traditional Literature’, in Bantu-speaking Tribes of South Africa, Schapera, I., ed. [Cape Town, 1953]
Lloyd, T., ‘The Bantu Tread the Footlights’, in South African Opinion (3.3.35]
Lodge, T, Black Politics in South Africa since 1945 [Longman, 1983]
Makhene, R, ‘It’s Time to Have a South African Culture’, in Davis, G, and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Maponya, M, ‘I will remain an African’, in Davis, G. and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Masilela, N., ‘Levels of Intervention in Films made for African Audiences in South Africa’, Critical Arts, 2.4 [1983]
Mazibuko, D., ‘Theatre: the Political Weapon in South Africa’, in Davis, G, and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Mda, Z., ‘South African Theatre in an Era of Reconciliation’, in Harding, F, ed., The Performance Arts in Africa [New York, 2002]
Mofokeng, J., ‘Theatre for Export: the Commercialization of the Black People’s Struggle in South African Export Musicals’, in Davis, G, and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Mutwa, C., ‘Umlinganiso…The Living Imitation’, in S’ketsh’ Magazine [Summer, 1975]
Mutwa, C., ‘On the Theatre of Africa’, in S’ketsh’ Magazine [Summer, 1973]
Nawa, L., Sirayi, H. and Ebewo, P., ‘Challenges of adopting culture sensitive development framework in South Africa: a critical reflection’, in International Journal of Cultural Policy [9.9.2014], downloaded fromhttp://dx.doi.org/10.1080/10286632.2014.956666
Nawa, L, ‘Towards a national patriotic culture’, [downloaded from https://www.academia. edu/3776627/Towards_a_national_patriotic_culture
Ndlovu, D., Woza Afrika [New York, 1986]
Nkosi, L., ed., South African Information and Analysis [May, 1968; June, 1968; December, 1969, Paris]
‘No Sizwe’, One Azania, One Nation [London, 1979]
Orkin, M., Drama and the South African State (Manchester, 1991)
Purkey, M., ‘Tooth and Nail: Rethinking form for the South African Theatre’, in Davis, G, and Fuchs, A., ed., Theatre and Change in South Africa [1996, Amsterdam]
Rangoajane, F, Political Shifts and Black Theatre in South Africa [Leiden, 2011]
Sacks, A., ‘Preparing Ourselves for Freedom’, in The Spring Is Rebellious ed. De Kok, E., and Press, K. [Cape Town, 1990]
San Diego Black Ensemble Theatre, ‘Maishe Maponya’, programme note [6.6.2009], downloaded from http://sdbetheatre.homestead.com/
Schapera, I., The Khoisan Peoples of South Africa [London, 1930]
Schapera, I., ed., Bantu-speaking Tribes of South Africa [Cape Town, 1953]
Slachmuijlder, L., ‘Redefining Relevance: The New South African Theatre’ (Southern Africa Report) 14, 2, [March, 1999]
Solberg R., Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s [Pietermaritzburg, 1999]
Solberg R., Bra Gib: Father of South Africa’s Township Theatre [Pietermaritzburg, 2011]
Steadman, I., ‘Culture and Context: Notes on Performance in South Africa’, downloaded from archive.lib.msu.edu/DMC/African%20Journals/pdfs/…/caj002001002.pdf
Traore, B., Black African Theatre and its Social Functions [Ibadan, 1972]
Tutu, D. [Archbishop], ‘Foreword’, in Williamson, S., Resistance Art in South Africa [Juta, 1990]
Van Heerden, J., Theatre in a New Democracy: Some Major Trends in South African Theatre from 1994 to 2003 [Doctoral dissertation, Universiteit Leiden, 2001], downloaded from scholar.sun. ac.za/bitstream/handle/10019…/Van%20Heerden,%20J.pdf?
Von Kotze, A, ‘Workers’ Theatre in South Africa’, in New Left Review, 1.163 [May-June, 1987]
Von Kotze, A, Organise and Act, Culture and Working Life [Durban, 1988]